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1 emulsion reversal
The English-Russian dictionary general scientific > emulsion reversal
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2 emulsion reversal
1) Нефть: обращение эмульсии2) Макаров: обращение эмульсий -
3 emulsion reversal
Англо-русский словарь нефтегазовой промышленности > emulsion reversal
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4 emulsion reversal
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5 reversal
1. обращение; обращённый2. реверс, реверсированиеreversal time — время реверсирования; время перемагничивания
3. переворачивание, перемена положения на обратное4. получение позитива в прямопозитивном процессе5. диапозитив6. обращение изображения7. переворачивание изображенияlateral reversal — переворачивание слева направо; переворачивание сторон
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6 reversal emulsion
inverzibl emülsiyon, evrilir duyarkat -
7 phase reversal
The English-Russian dictionary general scientific > phase reversal
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8 time reversal
физ. обращение времени -
9 chemical reversal
English-Russian big polytechnic dictionary > chemical reversal
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10 image reversal
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11 clectrodialysis reversal
English-Russian dictionary on nuclear energy > clectrodialysis reversal
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12 обращение эмульсии
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13 обращение эмульсии
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14 процесс обращения
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15 обращение эмульсии
1) Oil: emulsion reversal2) Makarov: inversion of emulsionУниверсальный русско-английский словарь > обращение эмульсии
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16 обращение эмульсий
Makarov: emulsion reversalУниверсальный русско-английский словарь > обращение эмульсий
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17 evrilir duyarkat
reversal emulsion -
18 film
1. слой; плёнкаfilm stock — неиспользованная плёнка; новая катушка плёнки
2. фотографическая плёнка, фотоплёнка3. фотоформаair bubble film — упаковочная плёнка с «запаянными» пузырьками воздуха, пузырьковая упаковочная плёнка
blue sensitive film — фотоплёнка, чувствительная к синим лучам
bright light film — фотоплёнка, обрабатываемая при дневном свете
cast film — плёнка, формируемая поливом из раствора
4. цветная маскирующая плёнка5. электрофотографический слой6. электрофотографическая плёнкаextruded film — плёнка, полученная экструзией
7. фотоплёнка с окончательной вёрсткой фотонабора8. готовая фотоформаFujilith film — «Фуджилит»
9. красочная плёнка10. слой печатной краскиink impervious film — слой, не воспринимающий краску
Kodachrome film — фотоплёнка «Кодахром»
Kodalith film — плёнка «Кодалит»
Kodalith Autoscreen film — растрированная фотоплёнка «Кодалит Аутоскрин»
line film — фотоплёнка для съёмки штриховых оригиналов, фотоплёнка типа «лайн»
lith film — фотоплёнка типа «лит»
Low Contrast Pan film — малоконтрастная панхроматическая фотоплёнка для изготовления цветоделённых негативов
11. плёнка для изготовления масок12. фотоплёнка для цветоделительного маскирования13. плёнка для получения микрокопий14. плёнка с микрокопиямиMultimask film — плёнка «Мультимаск»
nonsilver film — фотоплёнка на бессеребряных слоях, бессеребряная фотоплёнка
Ortho A film — фотоплёнка «Орто A»
Ortho D film — фотоплёнка «Орто D»
Ortho M film — фотоплёнка «Орто M»
Ortho S film — фотоплёнка «Орто S»
Pan Litho film — «Пан Лито»
Pan Masking film — «Пан Маскинг»
photographic film — фотографическая плёнка, фотоплёнка
photo stencil film — плёнка для изготовления фотошаблонов; плёнка для изготовления форм трафаретной печати
15. копировальная плёнка16. плёнка с копиями17. гибкая печатная форма18. плёночная фотоформаprocess film — фототехническая плёнка, репродукционная фотоплёнка; негативная плёнка для фоторепродукционных работ
rapid access film — фотоплёнка быстрого проявления, рапид-плёнка
reeled film — плёнка, смотанная в рулон, рулонная плёнка
resist film — резистивная плёнка ; плёнка фоторезиста
roomlight film — фотоплёнка, обрабатываемая в светлом помещении
sensitive film — светочувствительная плёнка, светочувствительный слой
spark-sensitive film — плёнка, чувствительная к искрению
19. фотоплёнка со съёмным слоем20. монтажная плёнкаtoned film — плёнка, проявляемая тонером
wash-off film — плёнка, обрабатываемая вымыванием
working film — микрофильм, постоянно используемый в различных видах работ
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19 Lumière, Auguste
SUBJECT AREA: Photography, film and optics[br]b. 19 October 1862 Besançon, Franced. 10 April 1954 Lyon, France[br]French scientist and inventor.[br]Auguste and his brother Louis Lumière (b. 5 October 1864 Besançon, France; d. 6 June 1948 Bandol, France) developed the photographic plate-making business founded by their father, Charles Antoine Lumière, at Lyons, extending production to roll-film manufacture in 1887. In the summer of 1894 their father brought to the factory a piece of Edison kinetoscope film, and said that they should produce films for the French owners of the new moving-picture machine. To do this, of course, a camera was needed; Louis was chiefly responsible for the design, which used an intermittent claw for driving the film, inspired by a sewing-machine mechanism. The machine was patented on 13 February 1895, and it was shown on 22 March 1895 at the Société d'Encouragement pour l'In-dustrie Nationale in Paris, with a projected film showing workers leaving the Lyons factory. Further demonstrations followed at the Sorbonne, and in Lyons during the Congrès des Sociétés de Photographie in June 1895. The Lumières filmed the delegates returning from an excursion, and showed the film to the Congrès the next day. To bring the Cinématographe, as it was called, to the public, the basement of the Grand Café in the Boulevard des Capuchines in Paris was rented, and on Saturday 28 December 1895 the first regular presentations of projected pictures to a paying public took place. The half-hour shows were an immediate success, and in a few months Lumière Cinématographes were seen throughout the world.The other principal area of achievement by the Lumière brothers was colour photography. They took up Lippman's method of interference colour photography, developing special grainless emulsions, and early in 1893 demonstrated their results by lighting them with an arc lamp and projecting them on to a screen. In 1895 they patented a method of subtractive colour photography involving printing the colour separations on bichromated gelatine glue sheets, which were then dyed and assembled in register, on paper for prints or bound between glass for transparencies. Their most successful colour process was based upon the colour-mosaic principle. In 1904 they described a process in which microscopic grains of potato starch, dyed red, green and blue, were scattered on a freshly varnished glass plate. When dried the mosaic was coated with varnish and then with a panchromatic emulsion. The plate was exposed with the mosaic towards the lens, and after reversal processing a colour transparency was produced. The process was launched commercially in 1907 under the name Autochrome; it was the first fully practical single-plate colour process to reach the public, remaining on the market until the 1930s, when it was followed by a film version using the same principle.Auguste and Louis received the Progress Medal of the Royal Photographic Society in 1909 for their work in colour photography. Auguste was also much involved in biological science and, having founded the Clinique Auguste Lumière, spent many of his later years working in the physiological laboratory.[br]Further ReadingGuy Borgé, 1980, Prestige de la photographie, Nos. 8, 9 and 10, Paris. Brian Coe, 1978, Colour Photography: The First Hundred Years, London ——1981, The History of Movie Photography, London.Jacques Deslandes, 1966, Histoire comparée du cinéma, Vol. I, Paris. Gert Koshofer, 1981, Farbfotografie, Vol. I, Munich.BC
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